In Shanghai, the vessels will reach monumental scale: the central sculpture will rise ten metres high, inviting visitors to step inside and experience a kaleidoscopic interior, where mirrored surfaces will fracture and multiply light. Chan’s Wallace Cut gemstone technique will animate the space, producing an interplay of reflection, colour, and perception that will be rigorous, intricate, and hypnotically beautiful. Earlier works from Venice – including the Brian Eno–soundscaped Transcendence, Titans, and Totem – will be displayed alongside, creating a conceptual dialogue that will bridge decades of his practice.